READ

Underwater treasures now accessible for land lovers

Experience the Rottnest Island shipwreck trail like never before thanks to 3D modelling.
Teresa Belcher
Teresa Belcher
Science communicator
Underwater treasures now accessible for land lovers
Image credit: MAAWA

Being able to dive and view our amazing underwater world is a skill acquired by just a tiny percentage of the world.

Imagine, then, if non-divers could explore a sunken shipwreck from the safety of the shore with help of 3D visualisation technology.

Signage linked to interactive 3D models

Signage for a 3D shipwreck trail is now set up on the popular WA tourist spot of Rottnest Island off the coast of Perth.

Tourists can read about the shipwreck and then scan a QR code to see a detailed 3D model of the wreck of Uribes, which sank in 1942.

View Larger

Sylvain and Alban Closier experiencing the first land-based shipwreck signage with 3D visualisation capability

Image credit: MAAWA
Sylvain and Alban Closier experiencing the first land-based shipwreck signage with 3D visualisation capability

They can interact with it and navigate through the shipwreck as if they were underwater.

This is the result of the final stage of the PRIISMH project—the Program for the Rottnest Island Interpretation of Shipwrecks and Maritime Heritage.

It’s run by the Maritime Archaeology Association of Western Australia (MAAWA) in partnership with the WA Museum (WAM).

It’s thought this is the first time in the world that signage of a shipwreck has been linked to interactive 3D models of underwater wreck sites.

The idea was started in 2014 by 3DMAPPR, a project that recorded underwater sites around WA in 3D, says Nicolas Bigourdan, Assistant Curator of Maritime Archaeology at WAM.

View Larger

The PRIISMH team on the WAM Dirk Hartog dive boat

Image credit: MAAWA
The PRIISMH team on the WAM Dirk Hartog dive boat

Creating an easy way to record sites

Nic and three MAAWA members got together to work out a way to create easy, cheap, accurate and fast 3D recording of underwater archaeological sites.

“The technology already existed—AGISOFT Photoscan—and it is a fantastic tool,” he says.

“We started to test it using inexpensive GoPro cameras and the software, proposing guidelines to use them in combination.”

The group then tested them around the Perth area—river and coast—on shipwrecks of different sizes, contexts and environments.

View Larger

Shannon Reid inspecting the Uribes shipwreck site before undertaking a full 3D recording of it

Image credit: MAAWA
View Larger

Dave Jackson and Nick Sargeant on site getting ready to start the underwater 3D recording with scale bars and underwater cameras

Image credit: MAAWA

More volunteers from MAAWA then became involved in testing the technology.

“We also created a course to share this information to others in the form of lectures and workshops,” Nic says.

Nic says PRIISMH was the next step for MAAWA from 3DMAPPR.

The Australian National Maritime Museum provided the funding to create the project to specifically map maritime heritage areas of Rottnest Island with the Rottnest Island Authority.

No need to get wet to view shipwrecks

A 2015 condition report of the Rottnest onshore shipwreck plaques by MAAWA showed much deterioration and suggested the land-based shipwreck trails were in much need of an update.

“Not only was it tried underwater, but also on land,” Nic says, “looking at maritime cultural archaeological features like the anchor at the end of the ferry jetty.”

View Larger

Col Cockram and Rebecca Familton doing control measurements of an anchor before its 3D recording

Image credit: MAAWA
Col Cockram and Rebecca Familton doing control measurements of an anchor before its 3D recording

Nic says, all up, six 3D models of shipwrecks have been created and stored on a platform called Sketchfab.

“We now can relate physical signage to the Sketchfab platform that provides a direct 3D model of the Uribes shipwreck in front of them.”

Anyone who comes to Rottnest who can’t dive or snorkel or is unable to go in the water now has another way to see these amazing sites.

“It bridges the gap and creates a new layer to connect the public to underwater cultural heritage,” says Nic.

At this stage, Uribes is currently the only shipwreck with signage and the QR code.

There are, however, five more 3D shipwreck models on the MAAWA Sketchfab platform ready to receive the same treatment.

This will hopefully be soon, when more funding becomes available.

Teresa Belcher
About the author
Teresa Belcher
Teresa is a science communicator with over 20 years’ experience communicating science and engineering research and projects in Australia and Europe. She's currently working in natural resource management in the rangelands of Western Australia, freelance writing and volunteering on a couple of committees. Teresa loves all things prehistoric (especially dinosaurs), nature and space/sci-fi. She enjoys travel and outdoors activities including rowing, kayaking, sailing, and fishing and also spending time DIY-ing in her garden and house.
View articles
Teresa is a science communicator with over 20 years’ experience communicating science and engineering research and projects in Australia and Europe. She's currently working in natural resource management in the rangelands of Western Australia, freelance writing and volunteering on a couple of committees. Teresa loves all things prehistoric (especially dinosaurs), nature and space/sci-fi. She enjoys travel and outdoors activities including rowing, kayaking, sailing, and fishing and also spending time DIY-ing in her garden and house.
View articles

NEXT ARTICLE

We've got chemistry, let's take it to the next level!

Get the latest WA science news delivered to your inbox, every fortnight.

Republish

Creative Commons Logo

Republishing our content

We want our stories to be shared and seen by as many people as possible.

Therefore, unless it says otherwise, copyright on the stories on Particle belongs to Scitech and they are published under a Creative Commons Attribution-NoDerivatives 4.0 International License.

This allows you to republish our articles online or in print for free. You just need to credit us and link to us, and you can’t edit our material or sell it separately.

Using the ‘republish’ button on our website is the easiest way to meet our guidelines.

Guidelines

You cannot edit the article.

When republishing, you have to credit our authors, ideally in the byline. You have to credit Particle with a link back to the original publication on Particle.

If you’re republishing online, you must use our pageview counter, link to us and include links from our story. Our page view counter is a small pixel-ping (invisible to the eye) that allows us to know when our content is republished. It’s a condition of our guidelines that you include our counter. If you use the ‘republish’ then you’ll capture our page counter.

If you’re republishing in print, please email us to let us so we know about it (we get very proud to see our work republished) and you must include the Particle logo next to the credits. Download logo here.

If you wish to republish all our stories, please contact us directly to discuss this opportunity.

Images

Most of the images used on Particle are copyright of the photographer who made them.

It is your responsibility to confirm that you’re licensed to republish images in our articles.

Video

All Particle videos can be accessed through YouTube under the Standard YouTube Licence.

The Standard YouTube licence

  1. This licence is ‘All Rights Reserved’, granting provisions for YouTube to display the content, and YouTube’s visitors to stream the content. This means that the content may be streamed from YouTube but specifically forbids downloading, adaptation, and redistribution, except where otherwise licensed. When uploading your content to YouTube it will automatically use the Standard YouTube licence. You can check this by clicking on Advanced Settings and looking at the dropdown box ‘License and rights ownership’.
  2. When a user is uploading a video he has license options that he can choose from. The first option is “standard YouTube License” which means that you grant the broadcasting rights to YouTube. This essentially means that your video can only be accessed from YouTube for watching purpose and cannot be reproduced or distributed in any other form without your consent.

Contact

For more information about using our content, email us: particle@scitech.org.au

Copy this HTML into your CMS
Press Ctrl+C to copy