READ

Are we drowning out the sounds of the sea?

The ocean’s turning into a noisy neighbourhood, thanks to human activity.
Melanie Julien-Martial
Melanie Julien-Martial
Freelance writer
Are we drowning out the sounds of the sea?

The sound of waves gently crashing is one of the most relaxing noises. But beneath the surface, things are far less peaceful.

The underwater world is becoming increasingly noisy thanks to human activity and it poses a major threat to marine life. 

 

A CHAOTIC CRESCENDO

Over the past few decades, the ocean has steadily become louder due to human activity.

From the relentless hum of shipping vessels to underwater construction, the ocean is now a noisy place. There are over 50,000 container ships navigating the ocean at any given moment – that’s a lot of engine noise!

 

 

Shipping is not the only culprit. Recreational and tourism boating, military sonar, oil and gas exploration and even wind farms all contribute to the noise. Sonar systems, which use sound waves to navigate and map the ocean, are particularly loud and disruptive to marine life.

Airguns are one of the loudest offenders. Deployed to search the ocean floor for oil and gas, these guns can be heard up to 4000 kilometres away and have been linked to multiple mass strandings of marine animals.

Sound travels five times faster in water than it does in air, making every human-made underwater noise particularly disruptive for ocean dwellers.

 

CAN YOU KEEP IT DOWN?

For marine mammals like whales, dolphins, sea lions and seals, sound isn’t just noise it’s their primary mode of communication. The more noise there is in the ocean, the more complicated it is for marine mammals to communicate, avoid predators, locate mates and prey, navigate and rest.

Dr Kate Sprogis is a marine mammal biologist at the University of Western Australia who researches the effects of underwater noise pollution on humpback whales in the Exmouth Gulf and on short-finned pilot whales off the Canary Islands.

“If a whale wants to talk to another whale and a ship is passing by, they may not be able to hear each other,” says Kate.

“Ship noise is low frequency and baleen whale song is low frequency, so the ship noise can mask the whales communicating.”

Whales also need their rest, particularly when they are nursing their young. In places like the Exmouth Gulf where female whales are essentially on a milk-and-nap routine, the disturbance of vessels can wake them up and burn through precious conserved energy.

“The mother needs to conserve energy because she doesn’t feed until she’s back in Antarctica, and she is providing milk to her young,” says Kate.

 

TRAGIC CONSEQUENCES

Noise pollution is also a leading factor in whale strandings.

Areas with heavy sonar use often experience increased strandings. This correlation is so strong with some species that scientists regard it as a cause-and-effect relationship.

Even vessels that are used to target whales and dolphins, such as whale-watching boats, can become major disrupters, pushing marine mammals from their home territory. For example, in New Zealand’s Milford Sound, constant disturbances from tourism vessels have caused a decline in the resident bottlenose dolphin population.

“With constant vessel disturbances, their numbers have dropped,” says Kate.

 

DIALLING IT DOWN

The good news is that, unlike other forms of pollution, underwater noise pollution can be addressed.

The advancement of quieter shipping technologies and swapping fuel engines for electric ones are critical for quieter seas.

Introducing noise thresholds for vessels that target whales and dolphins and setting speed limits in sensitive areas could also reduce noise pollution and give marine mammals a break from human-made noise.

Less-disruptive options for seismic surveying for oil and gas are in progress, with the development of lower-amplitude technologies. And the loud noises of pile driving for offshore wind farms are being curbed by the development of acoustic bubble curtains.

Sound is essential for the survival of our oceans, so we need to take steps to dial down our destructive noise pollution to turn up the volume on the ocean’s natural sonic symphony.

Melanie Julien-Martial
About the author
Melanie Julien-Martial
Melanie is a lover of all things nature, art, and science. They are interested in the relationships between art and the natural world, and how each can elevate the other.
View articles
Melanie is a lover of all things nature, art, and science. They are interested in the relationships between art and the natural world, and how each can elevate the other.
View articles

NEXT ARTICLE

We've got chemistry, let's take it to the next level!

Get the latest WA science news delivered to your inbox, every fortnight.

This field is for validation purposes and should be left unchanged.

Republish

Creative Commons Logo

Republishing our content

We want our stories to be shared and seen by as many people as possible.

Therefore, unless it says otherwise, copyright on the stories on Particle belongs to Scitech and they are published under a Creative Commons Attribution-NoDerivatives 4.0 International License.

This allows you to republish our articles online or in print for free. You just need to credit us and link to us, and you can’t edit our material or sell it separately.

Using the ‘republish’ button on our website is the easiest way to meet our guidelines.

Guidelines

You cannot edit the article.

When republishing, you have to credit our authors, ideally in the byline. You have to credit Particle with a link back to the original publication on Particle.

If you’re republishing online, you must use our pageview counter, link to us and include links from our story. Our page view counter is a small pixel-ping (invisible to the eye) that allows us to know when our content is republished. It’s a condition of our guidelines that you include our counter. If you use the ‘republish’ then you’ll capture our page counter.

If you’re republishing in print, please email us to let us so we know about it (we get very proud to see our work republished) and you must include the Particle logo next to the credits. Download logo here.

If you wish to republish all our stories, please contact us directly to discuss this opportunity.

Images

Most of the images used on Particle are copyright of the photographer who made them.

It is your responsibility to confirm that you’re licensed to republish images in our articles.

Video

All Particle videos can be accessed through YouTube under the Standard YouTube Licence.

The Standard YouTube licence

  1. This licence is ‘All Rights Reserved’, granting provisions for YouTube to display the content, and YouTube’s visitors to stream the content. This means that the content may be streamed from YouTube but specifically forbids downloading, adaptation, and redistribution, except where otherwise licensed. When uploading your content to YouTube it will automatically use the Standard YouTube licence. You can check this by clicking on Advanced Settings and looking at the dropdown box ‘License and rights ownership’.
  2. When a user is uploading a video he has license options that he can choose from. The first option is “standard YouTube License” which means that you grant the broadcasting rights to YouTube. This essentially means that your video can only be accessed from YouTube for watching purpose and cannot be reproduced or distributed in any other form without your consent.

Contact

For more information about using our content, email us: particle@scitech.org.au

Copy this HTML into your CMS
Press Ctrl+C to copy